Son of Rambow - Wikipedia
Son of Rambow () Ed Westwick as Lawrence Carter. Ed Westwick: Lawrence Carter. Showing all 2 items. Jump to: Photos (2). In Son of Rambo, big-hearted and open-minded Mary is, much more than Cast: Bill Milner, Will Poulter, Jules Sitruk, Jessica Stevenson, Neil Dudgeon, Ed Westwick UK Release Date: (General release). Ed Westwick and Bill Milner in Son of Rambow () Will Poulter in Son of Rambow () SON OF RAMBOW is the name of the home movie made by two little boys with a big video camera and even bigger ambitions. Release Date.Son of Rambow - Trailer
But then their friendship is forged over movies: One such scene has Will rescuing the now-aged "Rambow" from an old folks home. Here the boys employ a resident of the facility next door to the mansion where Lee and Lawrence live, sneaking into the old man's room and dressing him up in headband and long-haired wig.
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For the fatherless filmmakers, this scene is surely resonant; it also illustrates Son of Rambow's competing inclinations toward subtle insight and sentimental ham-handedness. Initially, the boys respond quite differently to their abandonments: They find in one another a new kind of family: His black hair puffed and streaked white, his jeans tight and his cigarettes exotic, Didier embodies another angle on s pop culture.
If Rambo represents the besieged and resilient all-American macho hero, Didier is the ambiguously gendered, wholly seductive and exciting foreigner, captivating the British schoolkids' imaginations.
A crew of boys begins to follow him through the hallways, their hair similarly streaked, their affects similarly if awkwardly diffident.
Son Of Rambow - Movie Reviews and Movie Ratings | TV Guide
And yet, when Didier learns of the filmmaking project he is himself smitten, immediately asking for the chance to participate. Of course, Didier is used to being the star, which leads to some tensions and negotiations between Will who sees the inclusion of Didier and his many fans as a positive expansion and Lee who wants to maintain the small, close-friends-only dimensions.
As "Son of Rambo" becomes grander and more chaotic, their friendship is strained and Son of Rambow notes the Hollywoodification of the planet. To its credit, the film makes clear the irony of this situation, that First Blood was in fact a small, independent production, a declaration of emotional vulnerability and frank outrage that turned into a thick-necked patriotic franchise.
Lee Will Poulter and Will Bill Milner decide to remake Rambo A lamebrained splatterfest about a mentally unstable Vietnam vet, Rambo inspired moral outrage on its release innot to mention ' with a little help from The A-team ' a five year-long outbreak of children dressing in green and running through the nation's woodland creating imaginary explosions.
When Son Of Rambow begins, Rambo has just hit the cinemas, replete with a well-documented 18 certificate, but that doesn't stop ten year-old Lee Carter from sneaking in to bootleg it using his older brother's video camera. Lee's schoolmate Will Proudfoot, on the other hand, is not even aware of Rambo's existence, since, as a member of the Plymouth Brethren, a fundamentalist Protestant Christian evangelical movement, he is not allowed to watch films or television.
However, when Lee and Will are ejected from their classes into the same school corridor - Lee for disciplinary reasons, Will because he is exempted from watching an educational documentary with his fellow classmates - Will is drawn into Lee's obsessive quest to remake Rambo in the countryside surrounding the school.
With Will displaying unsuspected pliability as a stuntman, the project is modified midway through to an entirely original work, Son Of Rambow sicwith Will in the role of Rambo's son. As a bonus, they also find a willing participant at Lee's family's nursing home to play Rambo himself Eric Sykes, in surely the only role he will ever share with Sylvester Stallone. The early eighties UK childhood world in which Will and Lee reside is one which has been impressively recreated before in modern novels such as David Mitchell's Black Swan Green and Toby Litt's Deadkidsongs, but it's never made it to our screens in such carefully imagined form before.
Son of Rambow () - Ed Westwick as Lawrence Carter - IMDb
The project is a semi-autobiographical one for director Garth Jennings, and he is clearly a man who remembers a lot more about than the fact that it contained Boy George and BMXs. He has found, in Bill Milner's Will and Will Poulter's Lee, two conduits who are more spiritually Tiswas than they are modern drama school.
It wasn't just that Lee felt familiar from my own ; I could swear he once melted down one of my Star Wars figures. There is space dust here - on which substance the sixth formers at Will and Lee's school overdose - in a scene in the common room so magical it's almost as good as being ten again - and a Triumph TR7 with its own bricklike phone, but there is also a great feel for the way people spoke and thought back then, for the things that they found funny or admirable, and in what small, complex ways they're different from what we find funny or admirable now.