Pinkie pie guide to dating movie

Kristin Chenoweth hops onto 'My Little Pony' movie as new character

pinkie pie guide to dating movie

In the movie, a new dark force threatens Ponyville, and the Mane 6 – Twilight Sparkle, Applejack, Rainbow Dash, Pinkie Pie, Fluttershy and. In the episode "Griffon the Brush-Off" Fluttershy retorts to a line said by Pinkie Pie by saying "I'm a year older than you", which could either be. jack and flutter shy dating my little pony movie deleted scenes Berry and pinkie pie butterscotch and fluttershy aj apple jack and apple. Tv schedule for talking pictures tv can be viewed here, usually for the next 7 to

Let us assume that Granny smith is about She's old but not so old as to be dying all too soon. If we make her at about years old in MLP years due to her being there at the start of ponyville which is centuries oldthat makes an age contraction of about 1: Then checking back to Wiki, any horse pony older than 4 years is a Mare or a Stallion.

I'd then place their ages between 16 and We've got to bare in mind this though: Regardless of a horse's actual birth date, for most competition purposes, an animal is considered a year older on January 1 of each year in the Northern Hemisphere and August 1 in the Southern Hemisphere.

The exception is in endurance riding, where the minimum age to compete is based on the animal's actual calendar age.

pinkie pie guide to dating movie

I think we're safe in the assumption that we're in the northern hemisphere. In the episode "Griffon the Brush-Off" Fluttershy retorts to a line said by Pinkie Pie by saying "I'm a year older than you", which could either be interpreted in pony years or our years, giving the age of either 5 pony years or something like 19 or 20 of our years.

  • The One Where Pinkie Pie Knows

Another thing is how Pinkie is actually far smarter than she initially seems, implying much more maturity which again implies age than at first glance.

Faust had initially pitched the show to include "adventure stories" in a similar proportion to "relationship stories", but recognizing the younger target audience, as well as the difficulty of basing complex plots on the adventure elements, she trimmed back this content, focusing more on exchanges between the characters.

The show still incorporates episodic creatures intended to be frightening to children, such as dragons and hydrasbut it places more emphasis on the friendships among the characters, displayed with a comedic tone.

My Little Pony: Friendship Is Magic - Wikipedia

By the time the show was approved, Faust had developed three full scripts for the series. In order to do so, Faust brought in Martin Ansolabehere and Paul Rudishwho had worked on other animated shows with her. Faust credits Rudish for the inspiration of the pegasus ponies controlling the weather in Equestria, as well as the character of Nightmare Moon during this period. After seeing the initial version of the pitch bible, Hasbro requested more character designs from Faust's team; subsequently, Faust brought aboard Dave Dunnet and Lynne Naylor to further refine the background and character styles.

Studio B Productions renamed to DHX Media on September 8,after its parent company, along with DHX's other subsidiaries [21] had previously worked on Macromedia Flash -based animations and on shows that featured a large number of animals, and Faust felt they would be a good selection.

Studio B requested that Jayson Thiessen be the director, a choice Faust agreed with. She, Thiessen, and James Wootton led the completion of a two-minute short to pitch the final product to Hasbro, resulting in the company's sanctioning the full production.

pinkie pie guide to dating movie

Faust estimates that from being initially asked to develop the show until this point took roughly one year. A sample storyboard from the episode "Call of the Cutie", containing pencil sketches of the main characters, rendered backgrounds to establish settings, and instructions for the Flash animators, such as the panning shot shown in the second panel Faust's initial writing staff at Hasbro Studios included several writers who had worked with her on her previous shows and were approved by Hasbro.

Larsonand Dave Polsky. The writing process began with Faust and Renzetti coming up with broad plots for each show. The two would then hold a brainstorming session with each episode's writer, allowing the writer to script out scenes and dialogue. Faust and Renzetti then worked with the writer to finalize the scripts and assign some basic storyboard instructions.

Hasbro was involved throughout this process and laid down some of the concepts to be incorporated into the show.

Pinkie Pie

Examples of Hasbro's influence include having Celestia be a princess rather than a queen, making one of the ponies focused on fashion, and portraying toy sets in relevant places within the story, such as Rarity's boutique.

Thiessen's production team was also allowed to select key personnel subject to Hasbro's approval; one of those selected was art director Ridd Sorensen. The Studio B team would storyboard the provided scripts, incorporating any direction and sometimes managing to create scenes that the writers had believed impossible to show in animation.

The animators would then prepare the key character poses, layout, background art, and other main elements, and send these versions back to the production team in Los Angeles for review by Hasbro and suggestions from the writers.

Thiessen credited much of the technical expertise in the show to Wooton, who created Flash programs to optimize the placement and posing of the pony characters and other elements, simplifying and economizing on the amount of work needed from the other animators. According to writer Meghan McCarthy, many of the small nods to the fandom, pop culture references, or other easter eggs would be added at this point by the studio.

Though Studio B performed the initial animation work, the final steps were passed to Top Draw Animation in the Philippinesan animation studio that Studio B had worked with in the later part of season one and beyond.

Faust, Thiessen, and others participated in selecting voice actors, and Hasbro gave final approval. Libman noted that for recording her lines as the hyperactive Pinkie Pie, "I learned that I can go as over the top as I want and they [the animators] rarely pull me back.

The production team identifies specific parts of the episode where they want music cues, allowing Anderson to create appropriate music for each.

jack and flutter shy dating my little pony movie deleted scenes

However, Faust preferred more traditional minute episodes, and Hasbro eventually agreed to this. The initial production stages were very tight, requiring a schedule twice as fast as Faust had previously experienced, and frequent remote communication between the Los Angeles writing offices and the animation studio in Vancouver. At times, the two teams would hold "writer's summits" to propose new ideas for characters and situations, at which the animation team would provide suggestions on visuals, body language, and characterization.

Faust estimates that the time to complete one episode was one year; at one point, the team was simultaneously working on various stages of all 26 episodes of the first season, and when the second season was approved, that number rose temporarily to