Catullus - Wikipedia
Catulli Carmina (Songs of Catullus) is a cantata by Carl Orff dating from – .  Track listing Music composed by Carl Orff. Original Latin lyrics adopted to . Its declaration of conflicting feelings "I hate and I love" (in Latin, Odi et amo). et quantum est hominum venustiorum: vesano satis et super Catullo est, quae nec .. ni te perdite amo atque amare porro . et brevi liberos date. non decet. countering a variety of Latin prose styles, ranging from gossipy Suetonius And Sappho's limpid lyrics and fragments had to have underlined poetry's But Catullus, most "modern" of the Romans in speech and sensibility, was a Odi et amo. followed by his most accomplished performance to date, The Ambassadors.
C. VALERIVS CATVLLVS
For example, he applies the word fides, which traditionally meant faithfulness towards one's political allies, to his relationship with Lesbia and reinterprets it as unconditional faithfulness in love. So, despite the seeming frivolity of his lifestyle, Catullus measured himself and his friends by quite ambitious standards.odi et amo (latin, italiano and english)
Intellectual influences[ edit ] Catullus's poetry was influenced by the innovative poetry of the Hellenistic Ageand especially by Callimachus and the Alexandrian school, which had propagated a new style of poetry that deliberately turned away from the classical epic poetry in the tradition of Homer. Catullus and Callimachus did not describe the feats of ancient heroes and gods except perhaps in re-evaluating and predominantly artistic circumstances, e.
Although these poems sometimes seem quite superficial and their subjects often are mere everyday concerns, they are accomplished works of art. Catullus described his work as expolitum, or polished, to show that the language he used was very carefully and artistically composed.
Catulli Carmina | Revolvy
Catullus was also an admirer of Sapphoa female poet of the seventh century BC, and is the source for much of what we know or infer about her. Catullus 51 follows Sappho 31 so closely that some believe the later poem to be, in part, a direct translation of the earlier poem, and 61 and 62 are certainly inspired by and perhaps translated directly from lost works of Sappho. Both of the latter are epithalamiaa form of laudatory or erotic wedding-poetry that Sappho had been famous for but that had gone out of fashion in the intervening centuries.
Catullus twice used a meter that Sappho developed, called the Sapphic strophein poems 11 and In fact, Catullus may have brought about a substantial revival of that form in Rome. Catullus, as was common to his era, was greatly influenced by stories from Greek and Roman myth. His longer poems—such as 63646566and 68 —allude to mythology in various ways. Some stories he refers to are the wedding of Peleus and Thetisthe departure of the ArgonautsTheseus and the Minotaur, Ariadne 's abandonment, Tereus and Procneas well as Protesilaus and Laodamia.
Style[ edit ] Catullus wrote in many different meters including hendecasyllabic verse and elegiac couplets common in love poetry. A great part of his poetry shows strong and occasionally wild emotions, especially in regard to Lesbia.
Catullus describes his Lesbia as having multiple suitors and often showing little affection towards him. He also demonstrates a great sense of humour such as in Catullus Musical settings[ edit ] Catullus Dreams is a song cycle by David Glaser set to texts of Catullus. Argonautia et epythalamium Thetidis et Pelei Peliaco quondam prognatae vertice pinus dicuntur liquidas Neptuni nasse per undas Phasidos ad fluctus et fines Aeetaeos, cum lecti iuvenes, Argiuae robora pubis, auratam optantes Colchis avertere pellem ausi sunt vada salsa cita decurrere puppi, caerula verrentes abiegnis aequora palmis.
Iuppiter omnipotens, utinam ne tempore primo Gnosia Cecropiae tetigissent litora puppes, indomito nec dira ferens stipendia tauro perfidus in Cretam religasset navita funem, nec malus hic celans dulci crudelia forma consilia in nostris requiesset sedibus hospes! Pelea nam tecum pariter soror aspernata est, nec Thetidis taedas voluit celebrare iugales.
Omnia qui magni dispexit lumina mundi, qui stellarum ortus comperit atque obitus, flammeus ut rapidi solis nitor obscuretur, ut cedant certis sidera temporibus, ut Triviam furtim sub Latmia saxa relegans dulcis amor gyro devocet aereo: Iuppiter, ut tristi lumina saepe manu! Iuppiter, ut Chalybon omne genus pereat, et qui principio sub terra quaerere venas institit ac ferri stringere duritiem!
Virginis et saevi contingens namque Leonis lumina, Callisto iuncta Lycaoniae, vertor in occasum, tardum dux ante Booten, qui vix sero alto mergitur Oceano. Atqui non solum hoc dicit se cognitum habere Brixia Cycneae supposita speculae, flavus quam molli praecurrit flumine Mella, Brixia Veronae mater amata meae, sed de Postumio et Corneli narrat amore, cum quibus illa malum fecit adulterium.
Non possum reticere, deae, qua me Allius in re iuuerit aut quantis iuverit officiis, ne fugiens saeclis obliviscentibus aetas illius hoc caeca nocte tegat studium: Nulli se dicit mulier mea nubere malle quam mihi, non si se Iuppiter ipse petat. Si cui iure bono sacer alarum obstitit hircus, aut si quem merito tarda podagra secat.