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Dictionary of spoken Spanish - Wikisource, the free online library
I told you that before. This street used to have another name. Let's eat before we go. They left before we arrived. Above all, don't forget to write me. He lent me 30 pesos. They advanced the date of the party.
They arrived half an hour early. He got ahead of me. She likes to dress in an old-fashioned way. He's a very disagreeable man. She does whatever comes into her mind. Lo hago porque se me antoja. I do it because I take a notion to. I'm twenty years old.
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Put out the light. The lights went out. He sells radio sets. He didn't show up. He was surprised by the sudden appearance of his friend. I don't like his looks. That's a separate question. Put this package aside. Don't get off while the vehicle's in motion.
They were grieved by the illness of their aunt. We were worried because we weren't getting any news. He can hardly walk. Let me know as soon as he comes. He got very depressed after his failure. They crushed all resistance. They flattened his nose. They flattened themselves against the wall. They put a coat of paint on the chair. She too published Italian-inspired short stories, in the collections Novelas amorosas y ejemplares ; Eng. The Enchantments of Love: The writings of St.
John of the Cross achieved preeminence through poems of exalted style expressing the experience of mystic union. The last was symbolized in the theme that Lope considered best of all: What this great Spanish playwright did possess was a remarkable sense of stagecraft and the ability to make the most intricate plot gripping. The New York Public Library Digital Collection Lope, who claimed authorship of more than 1, comedias, towered over his contemporaries. Lope ransacked the literary past for heroic themes, chosen to illustrate aspects of the national character or of social solidarity.
The cloak-and-sword play, which dominated drama after Lope, was pure entertainment, exploiting disguise, falling in and out of love, and false alarms about honour. In it affairs of the lady and her gallant are often parodied through the actions of the servants. The cloak-and-sword play delighted by the dexterity of its intricate plotting, its sparkling dialogue, and the entangled relationships depicted between the sexes.
Although their names were suppressed and their works left largely unperformed for centuries, several women dramatists of the Siglo de Oro left extant plays. She also penned short dramatic panegyrics, romances, and other books. Culteranismo and conceptismo In poetry and prose the early 17th century in Spain was marked by the rise and spread of two interrelated stylistic movements, often considered typical of the Baroque.
Authors shared an elitist desire to communicate only with the initiated, so that writings in both styles present considerable interpretive difficulties. Poets writing in this style created hermetic vocabulary and used stilted syntax and word order, with expression garbed and disguised in Classical mythallusionand complicated metaphorall of which rendered their work sometimes incomprehensible.
The other stylistic movement, conceptismoplayed on ideas as culteranismo did on language. Aiming at the semblance of profundity, conceptista style was concise, aphoristic, and epigrammatic and thus belonged primarily to prose, especially satire.
Concerned with stripping appearances from reality, it had as its best outlet the essay. The Scavenger and The Swindler. His best comedies provide subtle critiques of urban mores, combining laughter with tragic foreboding La dama duende [; The Phantom Lady].
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His tragedies probe the human predicament, exploring personal and collective guilt Las tres justicias en una [c. His best-known plays, appropriately classified as high drama, include El alcalde de Zalamea c. These liturgical plays range in their artistry from the immediate metaphorical appeal of El gran teatro del mundo c. Culteranismo and conceptismo, although symptoms rather than causes of decline, contributed to stifling imaginative literature, and, by the close of the 17th century, all production characterizing the Siglo de Oro had essentially ceased.
The 18th century New critical approaches In Charles II, the last monarch of the Habsburg dynastydied without an heir, thereby provoking the War of the Spanish Succession —14a European conflict over control of Spain.
Men of letters began again to study abroad, discovering how far Spain had diverged from the intellectual course of western Europe. New inquiries into the national heritage led scholars to unearth forgotten medieval literature. Another major encyclopaedic talent, Gaspar Melchor de Jovellanosproduced streams of reports, essays, memoirs, and studies on agriculture, the economy, political organization, law, industry, natural science, and literature, as well as ways to improve them, in addition to writing Neoclassical drama and poetry.Victorious el regreso de Helen🙌
Torres Villarroel experimented with all literary genres, and his collected works, published —99, are fertile sources for studying 18th-century character, aestheticsand literary style. Women writers Several women writers emerged during the Enlightenment and were active from onward in the male-dominated Spanish theatre.
He became a World Champion at the early age of 21, and as time passed he started to be known as the one who takes everything from those who challenge him, he made most who fought him retire, in another way he's the devil, "El Diablo". During one of his first defences as a champion, he brutally defeated the strong challenger at the time Date Eiji by 2nd round, which lead him to retire for a short period of time without comeback intentions, to look after his family better. Eiji was broken, scarred mentally, felt like Ricardo took everything from him, he seeked revenge ever since.
In his homeland he got to be known as a "National Hero" over time. During and after the match against Eiji amongst the crowd of young children outside watching, one of them who has been living in the slums of that town really hated him but after a while, he started having him as his goal, as he truly understood the champion's reasons better.
Following up a few years later after Eiji's nightmare, he faced Alfredo Gonzales as he rose in the rankings, twice in his later defences, he waited to reach his heights since he was a young kid, watching him fight in the ring. In both of those times, he defeated Gonzales who was otherwise undefeated. Marking Alfredo's goal as one only, to go against Ricardo once again in the future, for the third time.
He started to be known as an undefeated "Super Champion" and "Living Legend" around the world, although the reasons are unknown currently as to why he didn't have a unification match or move up a weight class, he remained in the featherweights and the WBA position for more than a decade.