Star Wars: The Clone Wars (TV Series –) - IMDb
Keywords: suicide attempts, Latinas, idiom of distress, Hispanic females, To date, the relationship between ataques de nervios and suicidal. Biocollections, BioProject, BioSample, BioSystems, Books, ClinVar, Clone We posit that the high rates of suicidal behavior by teenage Hispanic . ( Guarnaccia, Canino, Rubio-Stipec, & Bravo, ) concluded that the ataque, like the suicidal were dating generate the most stress in their lives (Kobus & Reyes, ). Development of Attack of the Clones began in March , some months after the . Bonnie Piesse as Beru Whitesun: Owen Lar's girlfriend on Tatooine.
Lucas auditioned various actors, mostly unknown, before casting Christensen. He could simultaneously be scary and really young. In Marchjust three months before the start of principal photography, Lucas finally completed his rough draft for Episode II.
Lucas continued to iterate on his rough draft, producing a proper first and second draft. For help with the third draft, which would later become the shooting script, Lucas brought on Jonathan Haleswho had written several episodes of The Young Indiana Jones Chronicles for him, but had limited experience writing theatrical films. The final script was completed just one week before the start of principal photography.
As an in-joke, the film's working title was Jar Jar's Big Adventure, a sarcastic reference to the negative fan response to the Episode I character. At his own personal request, Samuel L. Jackson 's character Mace Windu received a lightsaber that emitted an amethyst glow, as opposed to traditional blue and green for "good guys" and red for "bad guys".
During this time, a new action sequence was developed featuring the droid factory after Lucas had decided that the film lacked a quick enough pace in the corresponding time-frame. The sequence's previsualization was rushed, and the live-action footage was shot within four and a half hours.
This spawned controversy over the benefits and disadvantages of digital cinematography that continues as more filmmakers "convert" to digital filmmaking while many filmmakers oppose it. Lucas had stated that he wished to film The Phantom Menace on this format but Sony was unable to build the cameras quickly enough. The area above and below the 2. Despite Lucas' efforts to persuade movie theaters to switch to digital projectors for viewing of Episode II, few theaters did.
While Lucas had used other ways of producing motion-based storyboards in the past, after The Phantom Menace the decision was made to take advantage of the growing digital technology.STAR WARS El Ataque de los Clones- Reunión en la oficina del Canciller Palpatine (Latino)
In these videomatics, production assistants and relatives of the department workers acted out scenes in front of greenscreen. Using computer-generated imagery CGIthe previsualization department later filled in the green screen with rough background footage.
Burtt then cut together this footage and sent it off to Lucas for changes and approval. The result was a rough example of what the final product was intended to be.
Star Wars: The Clone Wars
The previsualization department then created a finer version of the videomatic by creating an animaticin which the videomatic actors, props, and sets were replaced by digital counterparts to give a more precise, but still rough, look at what would eventually be seen.
The animatic was later brought on set and shown to the actors so that they could understand the concept of the scene they were filming in the midst of the large amount of bluescreen used. Unlike most of the action sequences, the Battle of Geonosis was not storyboarded or created through videomatics but was sent straight to animatics after the department received a small vague page on the sequence. The intent was to create a number of small events that would be edited together for pacing inside the finished film.
The animatics department was given a free hand regarding events to be created within the animatic; Lucas only asked for good action shots that he could choose from and approve later. It also furthered the authenticity of computer-generated characters by introducing a new, completely CGI-created version of the character Yoda. Yoda's appearance in Episode V also served as the reference point for the creation of the CGI Yoda; Lucas repeatedly stated to the animation department that "the trick" to the animation of the CGI Yoda was to make him like the puppet from which he was based, in order to maintain a flow of continuity.
Frank Oz voice and puppeteer for Yoda in the original trilogy and The Phantom Menace was consulted; his main piece of advice was that Yoda should look extremely old, sore, and frigid. The animation has good "weight" to it - nothing ever suffers from the disconnected CGI unreality that often plagues the digital effects in live-action films including 's "Attack of the Clones".
The environments are amazingly well realised, including a hand-painted sky which conjures up a nice balance between traditional and CG animation.
Star Wars: The Clone Wars () - IMDb
Sonically, it's Star Wars all the way. All the classic sounds are there lightsabers, blasters, walkers and so on and are well orchestrated to the action. Musically, they've gone some way to doing what I had hoped they might - using John Williams' themes, but taken in a new direction. There's a much more pronounced world music feel, and I really enjoyed that.
When the score moves to a full orchestral piece, it sometimes falls a little flat. But it certainly serves its purpose, with only the main theme pulling me out of the moment.
There's a MacGuffin that must be found and returned to gain a tactical advantage in the war. Any further discussion of the plot would probably be wasted Quite a lot of it. Too much, in fact. As a TV series in 30 minute installments, it should be amazing.
But welded into one feature-length adventure, it's a bit overpowering. The visual inventiveness helps hold interest as yet another battle unfolds, but the fact that it's essentially 3 or 4 episodes joined together does show. Not enough to make it a bad film As such, the end seems to arrive very suddenly.
Had it been structured a little more like a feature, it might have managed a better finale.